CSS color names · Whites

Misty Rose color: hex #ffe4e1, RGB and HSL

Misty Rose is the CSS keyword mistyrose, hex #ffe4e1, rgb(255, 228, 225), hsl(6, 100%, 94%). It is a very light, fully saturated red in the whites family. Below: the colors that go with it, its tints and shades, how it reads as text, and a complete interface palette built from it.

CSS name
mistyrose
Hex
#ffe4e1
RGB
rgb(255, 228, 225)
HSL
hsl(6, 100%, 94%)
On white
1.2:1 — fails AA; use as a fill, not text
On black
17.44:1 — passes AA for body text
.example {
  color: mistyrose;          /* keyword */
  color: #ffe4e1;          /* hex */
  color: rgb(255, 228, 225); /* rgb */
  color: hsl(6, 100%, 94%); /* hsl */
}

What colors go with misty rose

Each match keeps misty rose's saturation and lightness and rotates only the hue, so the relationship is the wheel's and nothing else. Any of these can be an accent beside misty rose as the primary; the harmony guides explain which rule suits which interface.

Complementary

The opposite hue, 180° away — the strongest contrast, best kept to one accent per screen.

#e1fcff

Split-complementary

The two neighbors of the complement, at 150° and 210° — most of the contrast with less tension, and two accents instead of one.

#e1fff3
#e1edff

Triadic

Two hues at 120° and 240° — three evenly spaced signals, the scheme charts and category colors want.

#e1ffe4
#e4e1ff

Analogous

The neighbors at −30° and +30° — calm and cohesive, with emphasis coming from weight and size rather than hue.

#ffe1ed
#fff3e1

Tints and shades of misty rose

Tints add lightness toward white; shades remove it toward black. The hue and saturation stay fixed, so every step still reads as misty rose — these are the hover, pressed, disabled and surface variants a single brand color needs.

Tints (lighter)

#ffe9e6
#ffedeb
#fff2f0
#fff6f5
#fffafa · snow

Shades (darker)

#ff9c91
#ff5441
#f01800
#a01000
#500800

A UI color palette built from misty rose

The eight semantic roles an interface actually uses, derived from misty rose as the primary with the split-complementary rule: secondary and accent rotate around the wheel, and the five neutrals take the hue at lightness steps tuned for light and dark mode. This is the same derivation the palette generator runs — open it there to change the rule, drag the anchors, or export the set as CSS variables.

Light mode
primary
#ffe4e1
secondary
#e1fff3
accent
#e1edff
background
#fdfcfc
surface
#f7f3f3
text
#221211
muted
#8f5c56
border
#ece0df
Dark mode
primary
#ffe4e1
secondary
#e1fff3
accent
#e1edff
background
#1b100e
surface
#281715
text
#f6f4f3
muted
#b89794
border
#492b27

Using misty rose in an interface

The near-whites are page backgrounds. A canvas at ivory or alice blue instead of pure white is the difference between a page that feels designed and one that feels blank — and it is exactly what a tinted `background` role does in a semantic palette. Whichever role misty rose takes, define it once as a token rather than repeating the keyword: the semantic palette guide covers the eight roles, and the guides to complementary, triadic and the other color schemes explain how to weight the matches above.

What is the hex code for Misty Rose?
Misty Rose is #ffe4e1. In CSS the keyword mistyrose, the hex #ffe4e1, rgb(255, 228, 225) and hsl(6, 100%, 94%) all paint the same color.
What colors go with Misty Rose?
Its complement is #e1fcff, the split-complementary pair is #e1fff3 and #e1edff, the triadic partners are #e1ffe4 and #e4e1ff, and the analogous neighbors are #ffe1ed and #fff3e1. In an interface, use Misty Rose for most colored elements and one of these for a single accent, at roughly an 80/20 split.
What is the opposite of Misty Rose on the color wheel?
The opposite (complementary) color is #e1fcff, the same saturation and lightness rotated 180° around the HSL wheel. Complementary pairs give the strongest contrast, which is why the complement should be used sparingly rather than at equal weight.
Can I use Misty Rose for text?
Misty Rose as text on white has a contrast ratio of 1.2:1, which fails WCAG AA for body text (4.5:1) and for large text (3:1). On black it is 17.44:1, which passes for body text. Use it as text on dark surfaces, or as a fill with dark text on top.

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