CSS color names · Whites

Antique White color: hex #faebd7, RGB and HSL

Antique White is the CSS keyword antiquewhite, hex #faebd7, rgb(250, 235, 215), hsl(34, 78%, 91%). It is a very light, vivid orange in the whites family. Below: the colors that go with it, its tints and shades, how it reads as text, and a complete interface palette built from it.

CSS name
antiquewhite
Hex
#faebd7
RGB
rgb(250, 235, 215)
HSL
hsl(34, 78%, 91%)
On white
1.17:1 — fails AA; use as a fill, not text
On black
17.93:1 — passes AA for body text
.example {
  color: antiquewhite;          /* keyword */
  color: #faebd7;          /* hex */
  color: rgb(250, 235, 215); /* rgb */
  color: hsl(34, 78%, 91%); /* hsl */
}

What colors go with antique white

Each match keeps antique white's saturation and lightness and rotates only the hue, so the relationship is the wheel's and nothing else. Any of these can be an accent beside antique white as the primary; the harmony guides explain which rule suits which interface.

Complementary

The opposite hue, 180° away — the strongest contrast, best kept to one accent per screen.

#d7e6fa

Split-complementary

The two neighbors of the complement, at 150° and 210° — most of the contrast with less tension, and two accents instead of one.

#d7f8fa
#d9d7fa

Triadic

Two hues at 120° and 240° — three evenly spaced signals, the scheme charts and category colors want.

#d7faeb
#ebd7fa

Analogous

The neighbors at −30° and +30° — calm and cohesive, with emphasis coming from weight and size rather than hue.

#fadad7
#f8fad7

Tints and shades of antique white

Tints add lightness toward white; shades remove it toward black. The hue and saturation stay fixed, so every step still reads as antique white — these are the hover, pressed, disabled and surface variants a single brand color needs.

Tints (lighter)

#fbeede
#fcf2e4
#fdf5eb
#fdf8f2
#fefcf8

Shades (darker)

#f1c992
#e9a64d
#cf811a
#8a5611
#452b09

A UI color palette built from antique white

The eight semantic roles an interface actually uses, derived from antique white as the primary with the split-complementary rule: secondary and accent rotate around the wheel, and the five neutrals take the hue at lightness steps tuned for light and dark mode. This is the same derivation the palette generator runs — open it there to change the rule, drag the anchors, or export the set as CSS variables.

Light mode
primary
#faebd7
secondary
#d7f8fa
accent
#d9d7fa
background
#fdfdfc
surface
#f7f5f3
text
#221b11
muted
#8f7756
border
#ece6df
Dark mode
primary
#faebd7
secondary
#d7f8fa
accent
#d9d7fa
background
#1b150e
surface
#282015
text
#f6f5f3
muted
#b8a894
border
#493b27

Using antique white in an interface

The near-whites are page backgrounds. A canvas at ivory or alice blue instead of pure white is the difference between a page that feels designed and one that feels blank — and it is exactly what a tinted `background` role does in a semantic palette. Whichever role antique white takes, define it once as a token rather than repeating the keyword: the semantic palette guide covers the eight roles, and the guides to complementary, triadic and the other color schemes explain how to weight the matches above.

What is the hex code for Antique White?
Antique White is #faebd7. In CSS the keyword antiquewhite, the hex #faebd7, rgb(250, 235, 215) and hsl(34, 78%, 91%) all paint the same color.
What colors go with Antique White?
Its complement is #d7e6fa, the split-complementary pair is #d7f8fa and #d9d7fa, the triadic partners are #d7faeb and #ebd7fa, and the analogous neighbors are #fadad7 and #f8fad7. In an interface, use Antique White for most colored elements and one of these for a single accent, at roughly an 80/20 split.
What is the opposite of Antique White on the color wheel?
The opposite (complementary) color is #d7e6fa, the same saturation and lightness rotated 180° around the HSL wheel. Complementary pairs give the strongest contrast, which is why the complement should be used sparingly rather than at equal weight.
Can I use Antique White for text?
Antique White as text on white has a contrast ratio of 1.17:1, which fails WCAG AA for body text (4.5:1) and for large text (3:1). On black it is 17.93:1, which passes for body text. Use it as text on dark surfaces, or as a fill with dark text on top.

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