Papaya Whip color: hex #ffefd5, RGB and HSL
Papaya Whip is the CSS keyword papayawhip, hex #ffefd5, rgb(255, 239, 213), hsl(37, 100%, 92%). It is a very light, fully saturated orange in the yellows family. Below: the colors that go with it, its tints and shades, how it reads as text, and a complete interface palette built from it.
- CSS name
- papayawhip
- Hex
- #ffefd5
- RGB
- rgb(255, 239, 213)
- HSL
- hsl(37, 100%, 92%)
- On white
- 1.13:1 — fails AA; use as a fill, not text
- On black
- 18.56:1 — passes AA for body text
.example {
color: papayawhip; /* keyword */
color: #ffefd5; /* hex */
color: rgb(255, 239, 213); /* rgb */
color: hsl(37, 100%, 92%); /* hsl */
}What colors go with papaya whip
Each match keeps papaya whip's saturation and lightness and rotates only the hue, so the relationship is the wheel's and nothing else. Any of these can be an accent beside papaya whip as the primary; the harmony guides explain which rule suits which interface.
Complementary
The opposite hue, 180° away — the strongest contrast, best kept to one accent per screen.
Split-complementary
The two neighbors of the complement, at 150° and 210° — most of the contrast with less tension, and two accents instead of one.
Triadic
Two hues at 120° and 240° — three evenly spaced signals, the scheme charts and category colors want.
Analogous
The neighbors at −30° and +30° — calm and cohesive, with emphasis coming from weight and size rather than hue.
Tints and shades of papaya whip
Tints add lightness toward white; shades remove it toward black. The hue and saturation stay fixed, so every step still reads as papaya whip — these are the hover, pressed, disabled and surface variants a single brand color needs.
Tints (lighter)
Shades (darker)
A UI color palette built from papaya whip
The eight semantic roles an interface actually uses, derived from papaya whip as the primary with the split-complementary rule: secondary and accent rotate around the wheel, and the five neutrals take the hue at lightness steps tuned for light and dark mode. This is the same derivation the palette generator runs — open it there to change the rule, drag the anchors, or export the set as CSS variables.
- primary
- #ffefd5
- secondary
- #d5faff
- accent
- #dad5ff
- background
- #fdfdfc
- surface
- #f7f5f3
- text
- #221c11
- muted
- #8f7a56
- border
- #ece7df
- primary
- #ffefd5
- secondary
- #d5faff
- accent
- #dad5ff
- background
- #1b160e
- surface
- #282115
- text
- #f6f5f3
- muted
- #b8aa94
- border
- #493c27
Using papaya whip in an interface
Pure yellow fails contrast against white for text at every size, so it belongs on dark surfaces or as a fill with dark text. The creams are excellent warm page backgrounds; the khakis are muted enough for borders and tags. Whichever role papaya whip takes, define it once as a token rather than repeating the keyword: the semantic palette guide covers the eight roles, and the guides to complementary, triadic and the other color schemes explain how to weight the matches above.
- What is the hex code for Papaya Whip?
- Papaya Whip is #ffefd5. In CSS the keyword papayawhip, the hex #ffefd5, rgb(255, 239, 213) and hsl(37, 100%, 92%) all paint the same color.
- What colors go with Papaya Whip?
- Its complement is #d5e5ff, the split-complementary pair is #d5faff and #dad5ff, the triadic partners are #d5ffef and #efd5ff, and the analogous neighbors are #ffdad5 and #faffd5. In an interface, use Papaya Whip for most colored elements and one of these for a single accent, at roughly an 80/20 split.
- What is the opposite of Papaya Whip on the color wheel?
- The opposite (complementary) color is #d5e5ff, the same saturation and lightness rotated 180° around the HSL wheel. Complementary pairs give the strongest contrast, which is why the complement should be used sparingly rather than at equal weight.
- Can I use Papaya Whip for text?
- Papaya Whip as text on white has a contrast ratio of 1.13:1, which fails WCAG AA for body text (4.5:1) and for large text (3:1). On black it is 18.56:1, which passes for body text. Use it as text on dark surfaces, or as a fill with dark text on top.